Stretching Time: Nicolaas Schmidt on ‘September Afternoon’
On a windy afternoon, a family packs a beach bag, perhaps for the last time, and languidly walks towards the coast. A sense of gloom hangs in the air. While the child and her mother play in the sand, the father tackles the seemingly impossible task of setting up a tent to provide
The film 'September Afternoon' offers a poignant portrayal of a fleeting moment in time, capturing the bittersweet essence of a family's outing to the beach. Director Nicolaas Schmidt's deliberate pacing and attention to detail evoke a sense of nostalgia, inviting viewers to reflect on the impermanence of life's simple joys. By focusing on the mundane task of setting up a tent, Schmidt masterfully conveys the complexities of family dynamics and the passage of time.
This film is significant in the context of contemporary cinema, as it represents a shift towards more introspective and character-driven storytelling. Schmidt's use of a languid, observational style recalls the works of filmmakers like Jean-Luc Godard and Agnès Varda, who also explored the human condition through everyday moments. As the film industry continues to evolve, 'September Afternoon' serves as a reminder of the power of subtle, nuanced storytelling.
As we watch this film, we're compelled to consider the ways in which time shapes our experiences and relationships. What to watch next: look for Schmidt's future projects, which may continue to explore themes of family, memory, and the passage of time. Additionally, fans of 'September Afternoon' may enjoy the works of other slow cinema auteurs, such as Lav Diaz and Pedro Costa, who also use deliberate pacing to craft meditative, thought-provoking films.
Originally reported by variety.com. NewsAbroad adds analysis for culture, style & media readers.